Sony a6100 CAMCORDER LUT PAGE

CAMCORDER LUTS

(Sony a6100)

If you’re a Sony shooter chasing that retro camcorder look - but don’t want to deal with old gear, missing batteries, tapes, or AV cables, then this is for you.

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COMPATIBLE WITH:

Camcorder: JVC GR-HD1

Camcorder: Canon GL1/GL2

Camcorder: Sony DCR-HC52

Camcorder: Sony HDR-CX380

Camcorder: DVX100A

Camcorder: JVC GR-HD1

Camcorder: Canon GL1/GL2

Camcorder: Sony DCR-HC52

Camcorder: Sony HDR-CX380

Camcorder: Panasonic DVX100A

Let me ask you this:

Have you ever tried to recreate that early 2000s camcorder vibe with your a6100… but it still ends up looking too sharp, too clean, or just too modern?

You’re not alone. A lot of us want that nostalgic charm - those soft colors, subtle grain, and slightly off-white balance that instantly takes you back. But replicating that look on a modern mirrorless camera, especially a Sony, can feel like an endless game of tweaking contrast, saturation, and sharpness… only to still fall short.

That’s exactly why I built this Camcorder LUT Pack for the Sony a6100.

I created 3 versions of the LUT:

Rec709 for quick edits, S-Log3 for full dynamic range, and a Conversion LUT to prep your log footage before grading...

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JOE FROM THE FILM ALLIANCE

BUY NOW

$17.00 FOR PACK

CONTAINS:

Panasonic DVX100A
Sony HDR-CX380
JVC GR-HD1
Canon GL1/GL2
Sony DCR-HC52

PURCHASE

This LUT Pack is tuned specifically for Sony’s color science and sensor.

It knocks down that clinical digital edge, softens skin tones, adds just the right touch of noise, and brings in that faded, tape-recorded warmth. No overdone VHS filters. No gimmicks. Just footage that looks like it was pulled from an old home movie - but captured on your a6100 today.

If you want to skip the hassle and start shooting content that actually feels like the early 2000s, this LUT pack is for you.

Grab the Sony a6100 Camcorder LUT now and bring those nostalgic vibes to life - without ever touching a tape deck.

Frequently Asked Questions

What is a LUT?

Why should I use LUTs?

Are these LUTs compatible with my software?

How do I install/use these LUTs?

Can I adjust a LUT after applying it?

What exactly do I get with this LUT pack?

What’s the difference between the Rec709, Log, and Conversion LUTs?

What software do these LUTs work with?

How do I know which LUT to use?

Do I need to expose my footage a certain way for these LUTs to work?

What’s the Exposure Guide and why should I care?

Can I use these LUTs if I don’t shoot in Log?

What do the bonus presets do?

Can I get help if I get stuck?

BONUS: Bloom & Grain Effect Preset (Final Cut Pro, DaVinci & Premiere Pro)

As an added bonus to this LUT pack, I’ve included my custom Bloom & Grain Effect, designed to bring that dreamy film glow and textured camcorder grit to your footage in just a drag-and-drop. It’s a subtle but powerful way to elevate your look without touching the color wheels.

This preset was built from scratch and works seamlessly inside Final Cut Pro, DaVinci Resolve, and Premiere Pro. Whether you’re chasing a vintage aesthetic, a soft film-like bloom, or just want your footage to feel a little more alive, this effect stacks perfectly on top of your grade.

You won’t find this anywhere else.

PURCHASE NOW

CAMCORDER LUTS

(Sony a6100)

If you’re a Sony shooter chasing that retro camcorder look - but don’t want to deal with old gear, missing batteries, tapes, or AV cables, then this is for you.

COMPATIBLE WITH:

Camcorder: JVC GR-HD1

Camcorder: Canon GL1/GL2

Camcorder: Sony DCR-HC52

Camcorder: Sony HDR-CX380

Camcorder: DVX100A

Camcorder: JVC GR-HD1

Camcorder: Canon GL1/GL2

Camcorder: Sony DCR-HC52

Camcorder: Sony HDR-CX380

Camcorder: Panasonic DVX100A

Let me ask you this:

Have you ever tried to recreate that early 2000s camcorder vibe with your a6100… but it still ends up looking too sharp, too clean, or just too modern?

That’s exactly why I built this Camcorder LUT Pack for the Sony a6100.

I created 3 versions of the LUT:

Rec709 for quick edits, S-Log3 for full dynamic range, and a Conversion LUT to prep your log footage before grading...

_

BUY NOW

$17.00 FOR PACK

This LUT Pack is tuned specifically for Sony’s color science and sensor.

It knocks down that clinical digital edge, softens skin tones, adds just the right touch of noise, and brings in that faded, tape-recorded warmth. No overdone VHS filters. No gimmicks. Just footage that looks like it was pulled from an old home movie - but captured on your a6100 today.

If you want to skip the hassle and start shooting content that actually feels like the early 2000s, this LUT pack is for you.

Grab the Sony a6100 Camcorder LUT now and bring those nostalgic vibes to life - without ever touching a tape deck.

Frequently Asked Questions

What is a LUT?

Why should I use LUTs?

Are these LUTs compatible with my software?

How do I install/use these LUTs?

Can I adjust a LUT after applying it?

What exactly do I get with this LUT pack?

What’s the difference between the Rec709, Log, and Conversion LUTs?

What software do these LUTs work with?

How do I know which LUT to use?

Do I need to expose my footage a certain way for these LUTs to work?

What’s the Exposure Guide and why should I care?

Can I use these LUTs if I don’t shoot in Log?

What do the bonus presets do?

Can I get help if I get stuck?

BONUS: Bloom & Grain Effect Preset (Final Cut Pro, DaVinci & Premiere Pro)

As an added bonus to this LUT pack, I’ve included my custom Bloom & Grain Effect, designed to bring that dreamy film glow and textured camcorder grit to your footage in just a drag-and-drop. It’s a subtle but powerful way to elevate your look without touching the color wheels.

This preset was built from scratch and works seamlessly inside Final Cut Pro, DaVinci Resolve, and Premiere Pro. Whether you’re chasing a vintage aesthetic, a soft film-like bloom, or just want your footage to feel a little more alive, this effect stacks perfectly on top of your grade.

You won’t find this anywhere else.

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